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在(zai)泰(tai)国(guo)任(ren)意(yi)的(de)书(shu)店(dian)都(du)能(neng)找(zhao)到(dao)中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo)的(de)踪(zong)影(ying)。 泰(tai)国(guo)人(ren)不(bu)仅(jin)在(zai)实(shi)体(ti)书(shu)店(dian)、网(wang)络(luo)上(shang)购(gou)买(mai)纸(zhi)质(zhi)版(ban)的(de)中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo),他(ta)们(men)还(hai)可(ke)以(yi)在(zai)公(gong)共(gong)图(tu)书(shu)馆(guan)和(he)书(shu)店(dian)借(jie)阅(yue)或(huo)租(zu)赁(lin)小(xiao)说(shuo),更(geng)有(you)人(ren)在(zai)社(she)交(jiao)平(ping)台(tai)上(shang)出(chu)售(shou)和(he)购(gou)买(mai)二(e)手(shou)的(de)网(wang)络(luo)小(xiao)说(shuo)。 除(chu)了(le)传(chuan)统(tong)的(de)言(yan)情(qing)、武(wu)侠(xia)题(ti)材(cai),科(ke)幻(huan)小(xiao)说(shuo)、玄(xuan)幻(huan)、耽(dan)美(mei)小(xiao)说(shuo)都(du)受(shou)到(dao)泰(tai)国(guo)人(ren)的(de)喜(xi)爱(ai)。 请(qing)看(kan)以(yi)下(xia)双(shuang)语(yu)报(bao)道(dao)—— Chinese web novels find fans in Thailand, inspire cosplay According to a 2018 report on the development of Chinese web novels from Yuewen, a major Chinese online literature platform, more than14 million unique visitors have used their overseas site Webnovel in last year. 阅(yue)文(wen)集(ji)团(tuan)是(shi)中(zhong)国(guo)最(zui)大(da)的(de)网(wang)络(luo)小(xiao)说(shuo)平(ping)台(tai)之(zhi)一(yi)。根(gen)据(ju)其(qi)2018年(nian)的(de)网(wang)络(luo)文(wen)学(xue)发(fa)展(zhan)报(bao)告(gao)显(xian)示(shi),它(ta)的(de)海(hai)外(wai)平(ping)台(tai)Webnovel 去(qu)年(nian)一(yi)年(nian)便(bian)有(you)1400万(wan) 的(de)访(fang)问(wen)量(liang)。 According to the Yuewen report, Chinese web novels first got their foot in the door to overseas markets by selling the copyrights to local publishers, after which overseas platforms were established by Chinese companies so they could export this type of literature on their own. The influence of Chinese web novels has become so great, that some writers outside of China have started to produce their own original stories inspired by Chinese online literature. 阅(yue)文(wen)集(ji)团(tuan)的(de)报(bao)告(gao)指(zhi)出(chu),中(zhong)国(guo)网(wang)络(luo)文(wen)学(xue)经(jing)过(guo)了(le)几(ji)个(ge)阶(jie)段(duan):从(cong)最(zui)初(chu)的(de)海(hai)外(wai)出(chu)版(ban)授(shou)权(quan),到(dao)海(hai)外(wai)平(ping)台(tai)搭(da)建(jian)与(yu)网(wang)文(wen)内(nei)容(rong)输(shu)出(chu),再(zai)到(dao)目(mu)前(qian)的(de)海(hai)外(wai)原(yuan)创(chuang)内(nei)容(rong)上(shang)线(xian)。 中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo)在(zai)泰(tai)国(guo)流(liu)行(xing)已(yi)经(jing)很(hen)长(chang)一(yi)段(duan)时(shi)间(jian)了(le),泰(tai)国(guo)人(ren)对(dui)于(yu)中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo)的(de)喜(xi)爱(ai)程(cheng)度(du)可(ke)以(yi)说(shuo)是(shi)狂(kuang)热(re)啦(la)。 拍(pai)摄(she)中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo)人(ren)物(wu)造(zao)型(xing)的(de)照(zhao)片(pian) With great satisfaction, Nichapat Thonnaratana, a 24-year-old editorial assistant in Bangkok, shared her new cosplay photos she took recently at a local studio on her Facebook account. In one picture, Thonnaratana, dressed in a men's white Hanfu (the traditional clothing of the Han ethnic group) with embroidered light blue clouds on the shoulders, peaks thoughtfully at a wine jar held in her right hand. Thonnaratana扮(ban)演(yan)蓝(la)忘(wang)机(ji) 24岁(sui)的(de)Nichapat Thonnaratana 是(shi)在(zai)曼(man)谷(gu)工(gong)作(zuo)的(de)一(yi)位(wei)编(bian)辑(ji)助(zhu)理(li),她(ta)把(ba)自(zi)己(ji)在(zai)当(dang)地(di)一(yi)家(jia)照(zhao)相(xiang)馆(guan)新(xin)拍(pai)的(de)中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo)人(ren)物(wu)造(zao)型(xing)的(de)照(zhao)片(pian),分(fen)享(xiang)到(dao)了(le)她(ta)的(de)脸(lian)书(shu)账(zhang)号(hao)。 (图(tu)via网(wang)络(luo)) Thonnaratana was cosplaying asLan Wangji , the main character in the Chinese web novel Modao Zushi (Grandmaster of Demonic Cultivation). When she heard that the studio was known for taking amazing shots of the characters from the novel, Thonnaratana became very excited and decided to go take pictures with her friend. Thonnaratana扮(ban)演(yan)的(de)人(ren)物(wu)是(shi)中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo)《魔(mo)道(dao)祖(zu)师(shi)》的(de)主(zhu)要(yao)人(ren)物(wu)之(zhi)一(yi)的(de)蓝(la)忘(wang)机(ji) 。 A fan of Chinese web novels for nearly seven years, she told the Global Times that she is not alone as more young Thai people than ever before are reading literature from China nowadays. 已(yi)经(jing)痴(chi)迷(mi)中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo)将(jiang)近(jin)七(qi)年(nian)的(de)她(ta)告(gao)诉(su)环(huan)球(qiu)时(shi)报(bao)的(de)记(ji)者(zhe),如(ru)今(jin)在(zai)泰(tai)国(guo),阅(yue)读(du)中(zhong)国(guo)网(wang)络(luo)文(wen)学(xue)的(de)年(nian)轻(qing)人(ren)比(bi)以(yi)前(qian)都(du)要(yao)多(duo)。 中(zhong)泰(tai)翻(fan)译(yi)紧(jin)缺(que) Mai, a freelancer translator who just finished translating two Chinese web novels for a newly established publisher, thinks thatcultural differences are the main obstacles when it comes to translation. Mai是(shi)一(yi)名(ming)从(cong)事(shi)翻(fan)译(yi)的(de)自(zi)由(you)职(zhi)业(ye)者(zhe),目(mu)前(qian)刚(gang)刚(gang)完(wan)成(cheng)了(le)两(liang)部(bu)中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo)的(de)翻(fan)译(yi)工(gong)作(zuo)。她(ta)认(ren)为(wei),翻(fan)译(yi)中(zhong)最(zui)主(zhu)要(yao)的(de)困(kun)难(nan)就(jiu)是(shi)文(wen)化(hua)差(cha)异(yi) 。 "It's difficult to find Thai counterparts for many Chinese words, metaphors and jokes," she explained. 她(ta)解(jie)释(shi)道(dao):“很(hen)难(nan)在(zai)泰(tai)语(yu)里(li)找(zhao)到(dao)和(he)一(yi)些(xie)中(zhong)国(guo)词(ci)语(yu)、比(bi)喻(yu)或(huo)者(zhe)笑(xiao)话(hua)对(dui)应(ying)的(de)表(biao)达(da)。” She said she was surprised to find that there were so many Chinese expressions dedicated to praising a woman's beauty and quickly discovered that the Thai language lacked equivalent words that conveyed the same meanings as the Chinese. 她(ta)说(shuo)自(zi)己(ji)对(dui)于(yu)汉(han)语(yu)表(biao)达(da)的(de)博(bo)大(da)精(jing)深(shen)感(gan)到(dao)很(hen)震(zhen)惊(jing)。比(bi)如(ru),中(zhong)文(wen)有(you)那(na)么(me)多(duo)表(biao)达(da)是(shi)赞(zan)美(mei)一(yi)个(ge)女(nu)性(xing)的(de)美(mei)丽(li),泰(tai)语(yu)中(zhong)却(que)没(mei)有(you)这(zhe)么(me)丰(feng)富(fu)的(de)变(bian)化(hua)。 中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo)搭(da)起(qi)了(le)文(wen)化(hua)交(jiao)流(liu)的(de)桥(qiao)梁(liang) Raz Mey, a master graduate with duel degrees in English and international relations who also holds a bachelor degree in Chinese, says she enjoys reading these works because they help her better understand Chinese culture, such as how ancient Chinese carried out wedding ceremonies and the meaning behind traditional arts such as paper-cutting or rituals carried out during festivals. Raz Mey, 本(ben)科(ke)学(xue)习(xi)汉(han)语(yu),拥(yong)有(you)英(ying)语(yu)和(he)国(guo)际(ji)关(guan)系(xi)的(de)双(shuang)硕(shuo)士(shi)学(xue)位(wei)。她(ta)告(gao)诉(su)环(huan)球(qiu)时(shi)报(bao)的(de)记(ji)者(zhe),阅(yue)读(du)中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo)可(ke)以(yi)更(geng)好(hao)地(di)了(le)解(jie)中(zhong)国(guo)文(wen)化(hua),比(bi)如(ru)中(zhong)国(guo)古(gu)代(dai)的(de)人(ren)如(ru)何(he)举(ju)行(xing)婚(hun)礼(li)、传(chuan)统(tong)艺(yi)术(shu)和(he)习(xi)俗(su)背(bei)后(hou)的(de)意(yi)义(yi)。 Mey told the Global Times that she actually prefers to buy thepaper versions of Chinese web novels . She noted that she has so many books that she barely has room for them at her place anymore. Mey 说(shuo)自(zi)己(ji)喜(xi)欢(huan)购(gou)买(mai)纸(zhi)质(zhi)版(ban)的(de)中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo) ,她(ta)有(you)许(xu)许(xu)多(duo)多(duo)的(de)小(xiao)说(shuo)书(shu)籍(ji),以(yi)至(zhi)于(yu)房(fang)间(jian)里(li)都(du)快(kuai)放(fang)不(bu)下(xia)啦(la)。 Mey拍(pai)摄(she)的(de)她(ta)的(de)部(bu)分(fen)中(zhong)国(guo)网(wang)络(luo)小(xiao)说(shuo)
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